1. |
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Travel Brochure
for the Listening Tour
Nighttime turned in
a transportation thesis
filled with sirens and flashbulbs
clips and cuts
that sound that gainsboro sound
comin’ round again
I love them statistically
she says evenly
lipstick sales skyrocket
on rainy days
whenever wind and laughter
don’t have to mean a thing
candied here in gridlock chatter
while you stand and make a list
of all the sounds you want to protect
a machine for singing
chance operations
at soft edges
we’re nothing but fleshy bits
of streaming data
rivulets
corruptible sparks
yer headlamp barks
fever pitch ephemeral flickers
as transit noise forgets
for the first time that evening
and yer voice whines
by design
sittin’ in the rain
feels like surrender she says
and nighttime listens
just beyond the roaring thunder
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2. |
Imperial Blue Scoop
00:49
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Imperial Blue Scoop
storms transfer energy
moisture between regions
without a sense of urgency
clouds speak
super inclusively
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3. |
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Approaching Neltron
by Animal Balloon
The day is named weather.
And the air up here is billowing sea.
This animal balloon eating
sea foam
green clouds
and radio tinsel
igniting rouge fluids.
We can feel the vapours,
the rumpled sunlight
filling our wicker basket.
I can feel Cullen whisper,
The spirit world is behind this.
What hangs between us
is sewn of cheesecloth globs.
Hold run to jump far, he says.
I look down.
The day is named wait!
And the scale of my failure
is a spectrum disorder.
My imagination is my own flood.
This animal balloon drifting
upon feet like curdled lightning bolts,
I look down.
Neltron is glistening organs
guzzled upwards.
It is on this ruby surface
where I want to live
and play with my kids,
inventing the melodies of our future.
I want to be one of them.
I want to make a living.
Yet,
they say I only look like that
in family photographs.
However unfamiliar,
my poetics of fixation
belong to affection.
This poem includes some of you
and most of me,
buckled and floating freely.
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4. |
for Vanessa
04:37
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for Vanessa
Thursday Morning:
I’m 5AM again and yer elastic smooth,
skipping across shower tile, catch our reflection.
“See it there?” Shower droplets stroke yer hair
dry yer cheeks. Lilies spring up
from the faucet
from steam
from heartwave electricity,
lilies spring up, the shower goes botanical,
the shower goes squelch tail. Brief noise
heard between
the end of a radio transmission, my heart beat hard,
and the reactivation of
the receiver’s squelch circuit.
My heart beat superpulse.
Squelch tail squelch circuit.
My heart beat super high frequencies.
Our hearts big bang big bang!
Now,
now back to our regularly scheduled broadcast:
Lilium Superbum
Lilium Bulbiferum
Lilium Pomponium
Lilium Jankae
Vanessa Lilium, it’s in sharing the tiny moments
with you I feel fully full.
With you
I feel
fully full. “Now crack that window,
let the vines loose, let the bulbs loose.”
And in the distance, now in the yard
now through the cracked window I hear,
“Welcome to Planet Neltron.”
I did. “Welcome to Planet Neltron.”
But who knows,
it’s Thursday morning
and I’m 5AM again and yer elastic smooth,
skipping across shower tile, catch our reflection.
“See it there?” Shower droplets stroke yer hair
dry yer cheeks, like a reflective moment,
like when I expect toothpaste, the most
or the least. Vanessa Lilium, my dear,
it’s in sharing the tiny moments
with you
I feel fully full. With you I feel
fully full.
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5. |
After Benjamin's Angel
03:05
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After Benjamin’s Angel
Falling
not flying
but slipping
through licks of light
only to catch sight
of blurred clusters
of spiral quartz
crystals clinging
to slate sculptures
that warble and sing
pop song elegy
remixed radio melody
while invention
quickened with liquor
from an incomplete future
recoils, unfurls
twirls through nimbostratus
end over end
an asthmatic accordion
makes public service announcements
grunting and blowing
gale winds and wine glass rims
clinking behind windowpanes blackened
with whipped caviar lipstick,
“For safety purposes,”
the asthmatic accordion wheezes finally,
“ha-hailstones the size of space helmets.”
How strange it is
to be here
embedded in gainsboro foam
forgetting what we’ve learned
and free of hands that once held us
only to hear uncouth hymns
all over again
only to watch
abandoned rocket ships
flutter like tinfoil feathers
into glacial lake water.
No waves are unengaged
in the push
towards limits.
The storm holds strong,
the party rages on,
what a spectacle!
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6. |
Soil Charisma
02:27
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Soil Charisma
In order to determine conclusively
the microphone’s final
post-flowering state
an online auto-diagnosis test
requests the poet spit particle tones
requests the farmer
let hand drawn space helmets
debase hampered soil horizons
up to four layers deep.
It is here you’ll seep
into the zone of accumulation
where Lemon Creek rocket fuel
owns a glitch level
ending in claws.
It is here you’ll witness
invasive species force breed new planets.
Secondary treatment however
requires faults at play.
A microphone reseed
may also be necessary.
Good luck
and water frequently.
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7. |
heartlab: 20 Year X-ray
02:04
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heartlab: 20 Year X-ray
for Anita
Cherry blossoms sleepily
upon the Brunswick green canopy.
Lapis Lazuli between branches
while X-ray light
broadcast from speakers
nested and humming
up there in the highest branches
spirals of pink softly flow
down in a warm hurricane glow.
Now shootin’ out
from the light in yer skin
how did the stars get in?
Our hearts made into
bright and silky tools
this plush spring
created all over again
as rhythms reach
and bend above the canopy
let’s count
every colour we can see.
Kissing sleepily
bone conductivity.
Core the light and spit the seeds.
Together we leave maps in doubt.
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8. |
Winter Bed
04:54
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Winter Bed
we were once that bouquet
we were once that bound she says
scarlet eyes I’ll never be a million miles away
I’ll sniff yer garden out spell you out
sample yer cuts pluck yer pretty frostbite
I’ll undress yer skeleton
with a fireman’s kiss girl if I get hold of you she says
look out
look how
I can contemplate yer mouth blood star
between our lips entangled decomposition
the gelatinous phase
the science of kissing
the drone of droning
the drone of moaning
stay in yer skin
stay in yer skin someplace near the surface
stay ‘till mantra malfunction
stay ‘till mantra meltdown
stay ‘till we can’t tell invasive mantras anything
stay well past not wanting to hear a single word of it
not even the anesthesiologist can save us tonight she says
scarlet eyes I’ll never be
a million miles away but this fucking blood star
between our lips is a breeding ground scarlet eyes
I swear we grew an evil moon jelly
in the garden
from the purple violet orange green blue red it is true
we grew an evil moon jelly
in the garden
all of the while sleeping in our winter bed
that place that seldom seems warm
a branch in the snow
scarlet eyes I’ll never be
a million miles away I say
it’s all because of that blood star
that bad seed
caused me to eat the kid’s intestines
for real this time
you wouldn’t do that
oh but I might
I might sample yer cuts pluck yer pretty frostbite
I’ll undress yer skeleton
with a fireman’s kiss girl if I get hold of you
I’ll shake and shake and shake the vines loose ‘till legs hang
in silver space and take and take and take to yer skin and ignore
the shed for 5 seconds already
take to yer skin and ignore the shed for a season already
now let winter moon jelly fill flower’s sleeping center
now waking
into a well rounded fingerprint
spiralling out of mind
stay and ingest vast quantities
of this folded flesh
we are the bouquet
we are bound
it’s just that at times I am over sensitive
to the substance I ingest
it’s just that at times I am over sensitive
to the sunshine
it’s just that at times
I need to see how far out yer willing to get
before you forget
about this leftover skin and tuck in
and tuck in
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9. |
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Chahko Mika Mall Parking Lot
Every spring they repave
and collect cluster analysis
that suggests pigeons
bathe in silica crowns
nested and humming
a soundtrack uttering directives:
LAY ON GROUND
REIGNITE FIXED STARS
RETIRE WINGS QUICKLY
Proudly pound on yer chest and sing,
“Sea Otter Sea Otter!”
Godzilla Squad gargle
applause lines like young lions
vibrate like a prayer bead
every time I hear myself read:
Da Da Da Da
Nada Brahma
Happy Horse Happy Horse
where are you?
I’m dancing in circles
I’m practicing psychomatical rotations
roasting a globster on a spit
a Kokanee Blob
over a hot fire
are you fit?
3,2,1,
done
civic minimum,
“You come everybody come!”
This festive loneliness
caught on phone
a paranoid glitchnoid
tootin’ a parking cone,
“It’s a craft sale too ya know.”
Yes kidney’s blanket-stitched
like tweaking cobblestone.
Now the organs are workin’
movin’ along at a real good click,
“In a hundred years I’ve never heard like this.”
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10. |
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A Postcard from Neltron
to Dearest Cultural Ambassanator
There upon the simulacrum of home
emblazon with chokecherry stamping
Elephant Mountain fountain
Day-Glo painted fragments
plus carefully cut found photographs
detain an autograph
juxtapose and thumbtack
the intended wilderness act
and other GIF laden scenery
amongst a hockey referee
arms outstretched
in the middle of it all
images are sealed with glue
derived from Ponderosa Pine pitch.
Images packed so tight
their cells drip honeydew.
This one’s for you,
Dearest Cultural Ambassanator:
We’ve topped Neltron’s trees
with Coconut Patties
draped bushes with Salt Water Taffy
to ease in your transition.
These sentences
concerning the aesthetic of improvisation:
These sentences
concerning things according to the needs of flow:
Did art interrupt
and leave you with loose ends?
Did a slip from the front
overturn you?
Bag it up already let’s go!
Listen to that Big Jim steam whistle blow.
Bag it up already
bring your Fish Tales home!
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11. |
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On How to Transfer a Cripple
At the intersection
between skating headlights,
Jolene
the directionally aware chevron queen
leans into me,
“I don’t care ‘bout yer spastic spasticity
or whatever you call it.
Yer dyskinetic cerebral palsy,
yer jerky movements from the future
yeah, they’ve arrived early.”
Southbound on Sunday Avenue,
well beyond the speed limit and still in a box.
As red taillights vibrate and dip outta sight,
Jolene says, “Johnny Satellite,
you blink like funeral confetti.
What will the moonlight think
of those unsteady eyes?”
Just then we see
a driver’s mouth wide
laughing like an axe wound.
Fireworks from the speeding car.
A 1969 Roadrunner.
A real burner.
As bruised fingers liquify
into a meadow of midnight,
Jolene
the directionally aware chevron queen
looks clear through me.
And with the municipality of the galaxy
Jolene says hypersonically,
“June moon got the tonic-clonic blues!
Are you listening to me?”
Jolene says, “Johnny Satellite
snap outta it. You hear me?
I don’t care ‘bout yer dynamic velocity
or yer silly brainstem.
And fer all of the flaws that gawd does have
I seriously doubt
that being a cheapskate is one of them.”
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12. |
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On Conclusions of
Uncertainty and Spillage
slow lyric succeeds
when it’s time to leave
sound sprouts tiny flames
in the canonized dawn
mother outside
bent in the lawn
raking snow from shadows
into sunny spots
until poems decompose
become melodious air
and a forgotten future
hears the fewer out there
where glitch lips declare
into unwound ears
we exist here
on the corner
of Josephine and Gore
spillage of rumpled sunlight
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brad bradley Nelson, British Columbia
brad bradley is a poet and sound artist. He is also the host of a weekly radio program, Poetry for Keeps, on CJLY 93.5 FM.
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